![]() You can try this in basically every image you've shared here. And about 99% of the time, the information is targeted toward the light family (as our eyes are used to seeking out light for information that is, we don't look to the darks for information primarily.) So doing that in your work plays to already-existing human tendencies, and can make your art stronger. Notice how he's really lumping light and shadow shapes together into clear families. Here's a quick Google search I just did that brought up a lot of good results: Paul Felix's work is really testament to the power of this. I think you'd benefit from letting your shadows eat up large chunks of information, but then hyper-focus that in the light instead! ![]() Specifically, I think these are being hampered a bit by refusing to lose too much information in shadow. Nice! My main comment is that I think you could work on pushing the lighting, to help service the focal point. Would easily catch the attention of anyone hiring for layout/background work. I think this is a very well focused and curated porfolio.
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